![]() Those sessions will be a unique opportunity to have closer look into the world of music and sounds of contemporary video games. In parallel to the festival’s concerts, meetings and discussions will be held with several game audio professionals, including masterclass workshops conducted by composers, such as Gareth Coker, as well as other special guests of Game Music Festival 2022 (see below for a complete list). During masterclass workshops, participants will be able to ‘see backstage’, discover something about how audio is being created for games, improve their various competencies, and learn many new tips and tricks to better create and analyse game music. ![]() Game Music Festival consists of more than concerts featuring the music of video games it also involves multiple educational and informative events, sessions, and meetings with composers, industry leaders, and experts. Masterclass workshops: see details here.Woodwinds soloist Kristin Naigus, who performed all of Ori’s specialist woodwinds in the original soundtracks, is also joining us on our musical journey. The performance by Philharmonia Orchestra and Hertfordshire Chorus will take the audience on a journey through Ori’s world as never heard before. Maestro Robert Kurdybacha is no stranger to the music of video games as a conductor and arranger, he is an experienced academic tutor who wrote several fan-favourite symphonies for previous Game Music Festivals. The universally acclaimed sequel, Ori and the Will of the Wisps, quickly gained a reputation of being a masterpiece in its own right, thanks once again to another unforgettable score by Gareth Coker – an Ivor Novello Award winner and multi-BAFTA-nominated composer.īoth of these soundtracks form the musical material of The Symphony of the Spirits, the second concert of Game Music Festival 2022. Composed by Gareth Coker, the soundtrack combines sublime melodies with lyrical themes to form a warm and organic soundtrack. Ori and the Blind Forest is remembered to this day as one of the most ambitious platformer games, not merely because of its flawless mechanics and visual design but also – if not mainly – because of its music. Meet & Greet session with composer Gareth Coker.Its members have been given the honour of interpreting these vibes on stage they are certainly up to the challenge, having previously performed the Jazz of Grim Fandango in an earlier GMF tribute to a cult classic OST. In the game, which adopts a dynamic ‘rubber hose’ animation style and aesthetic, two cup-like brothers strive to repay their debt to the devil such a classic and stylistic setup deserves a proper soundtrack, something that Kristofer Maddigan bountifully delivers.įull of early big-band jazz mixed with ragtime music, Cuphead’s original soundtrack swiftly transports the listener to a world inspired by Duke Ellington and Count Basie, but always with a lively twist.īartosz Pernal Orchestra is a highlight among contemporary European big bands. Paying homage to the golden age of cartoons, Cuphead’s bold and brazen style shook the video game industry to such a degree that Cuphead-based Netflix series is already in production, while the soundtrack itself won BAFTA’s prestigious Games Award for Best Music. Meet & Greet session with composer Kristofer Maddiganįor VIP tickets holders: will be hosted online.An impulsive act shocks Leda into the strange and ominous world of her own mind, where she is forced to face the unconventional choices she made as a young mother and their consequences. Unnerved by their compelling relationship, (and their raucous and menacing extended family), Leda is overwhelmed by her own memories of the terror, confusion and intensity of early motherhood. Alone on a seaside vacation, Leda becomes consumed with a young mother and daughter as she watches them on the beach.
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